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Rachel Lee & Mehar Maju: Freeway Woodland

The title of this image is apt; the road looks like something seen in the country rather than the city.  If the toxicity here cannot been seen (the trees totally obscuring the view of the freeway) but can be heard and smelled, how can the photo convey some of that 'live' experience?  Can that noise and smell be pulled into the critical commentary rather than simply in the design statement?

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